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Shot with flair and control by the director Reema Kagti, “Talaash” works because it’s grounded in a visual style (the cinematographer K. U. Mohanan gives it a shimmering, Mumbai-noir moodiness) and emotional realism. Ms. Kagti’s power trio of stars deserve some of the credit. Aamir Khan plays a police inspector investigating the suspicious death of a movie star (last name Kapoor, of course); Rani Mukherji is his wife — their son has drowned in an accident — and Kareena Kapoor a prostitute who helps him with his case.
Ms. Kagti keeps the performances reined in but also lets the actors strut their broody (Mr. Khan), soulful and teary (Ms. Mukherji) and sex-bomb (Ms. Kapoor) stuff. (Nawazuddin Siddiqui shines as a street hustler who both attracts and repels your sympathy.)
Ms. Kagti, whose previous feature was the slightly adventurous comedy “Honeymoon Travels Pvt. Ltd.,” wrote “Talaash” with Zoya Akhtar (herself the director of the wonderful “Luck by Chance”). Farhan Akhtar (Zoya’s brother and the director of the generation-shifting hit “Dil Chahta Hai“) is a producer, as is Mr. Khan (the star of “Dil Chahta”).
That’s a lot of Cool Kids of New Bollywood talent, and it shows. “Talaash” isn’t a radical departure (or a radical anything). It’s very much a Hindi film, but updated and delivered with conviction and style.
- DirectorReema Kagti
- WritersZoya Akhtar, Reema Kagti
- StarsAamir Khan, Kareena Kapoor, Rani Mukerji
- RatingNot Rated
- Running Time2h 20m
- GenresCrime, Drama, Mystery, Thriller
- Movie data powered by IMDb.com
Last updated: Nov 2, 2017